Brain Pickings has a free of charge Sunday digest of the week’s most interesting and articles that are inspiring art

Brain Pickings has a free of charge Sunday digest of the week’s most interesting and articles that are inspiring art

Newsletter sunday

Brain Pickings has a totally free Sunday digest of the week’s most interesting and articles that are inspiring art, science, philosophy, creativity, children’s books, along with other strands of our search for truth, beauty, and meaning. Here’s a good example. Like? Claim yours:

midweek newsletter

Also: Because Brain Pickings is in its twelfth year and because I write primarily about ideas of an ageless character, We have made a decision to plunge into my vast archive every Wednesday and choose through the tens and thousands of essays one worth resurfacing and resavoring. Sign up for this free midweek pick-me-up for heart, mind, and spirit below — it really is separate from the standard Sunday digest of brand new pieces:

The greater Loving One: Astrophysicist Janna Levin Reads W.H. Auden’s Sublime Ode to the Unrequited Love for the Universe

Favorite Books of 2018

Emily Dickinson’s Electric Love Letters to Susan Gilbert

Rebecca Solnit’s Lovely Letter to Children About How Books Solace, Empower, and Transform Us

A Brave and Startling Truth: Astrophysicist Janna Levin Reads Maya Angelou’s Stunning Humanist Poem That Flew to Space, Inspired by Carl Sagan

In Praise associated with the Telescopic Perspective: A Reflection on coping with Turbulent Times

A Stoic’s Key to Peace of Mind: Seneca regarding the Ant >

The Courage to Be Yourself: E.E. Cummings on Art, Life, and being > that is unafra

10 Learnings from ten years of Brain Pickings

The Writing of “Silent Spring”: Rachel Carson plus the Culture-Shifting Courage to Speak Inconvenient Truth to Power

Timeless Suggestions About Writing: The Collected Wisdom of Great Writers

A Rap on Race: Margaret Mead and James Baldwin’s Rare Conversation on Forgiveness in addition to distinction between Guilt and Responsibility

The Science of Stress and How Our Emotions Affect Our Susceptibility to Burnout and Disease

Mary Oliver on which Attention Really Means and Elegy that is her moving for true love

Rebecca Solnit on Hope in Dark Times, Resisting the Defeatism of Easy Despair, and What Victory Really opportinity for Movements of Social Change

The Lonely City: Adventures in the creative art to be Alone

Fixed vs. Growth: The Two Basic Mindsets That Shape Our Lives

Related Reads

Annie Dillard regarding the Art for the Essay therefore the Different Responsibilities of Narrative Nonfiction, Poetry, and Short Stories

Ted Hughes about how to Be a Writer: A Letter of Advice to His 18-Year-Old Daughter

W.E.B. Dubois on Earning One’s Privilege: his letter that is magnificent of to His Teenage Daughter

Famous Writers’ Sleep Habits vs. Literary Productivity, Visualized

7 Life-Learnings from 7 Years of Brain Pickings, Illustrated

Anaпs Nin on Love, Hand-Lettered by Debbie Millman

Anaпs Nin on Real Love, Illustrated by Debbie Millman

Susan Sontag on Love: Illustrated Diary Excerpts

Susan Sontag on Art: Illustrated Diary Excerpts

Albert Camus on Happiness and Love, Illustrated by Wendy MacNaughton

The Holstee Manifesto

The Silent Music associated with Mind: Remembering Oliver Sacks

How to Read Intelligently and Write a Essay that is great Frost’s Letter of Advice to His Young Daughter

“Only a person who is congenitally self-centered gets the effrontery and also the stamina to create essays,” E.B. White wrote when you look at the foreword to his collected essays. Annie Dillard sees things almost the way that is opposite insisting that essayists perform a public service — they “serve while the memory of a people” and “chew over our public past.” Although he previously never written an essay himself, the advice Pulitzer-winning poet Robert Frost (March 26, 1874–January 29, 1963) provided to his eldest daughter, Lesley, not merely stands as an apt mediator between White and Dillard but additionally some of the most enduring wisdom on essay-writing ever committed to paper.

During her junior year in college, Lesley shared her exasperation over having been assigned to create an essay that is academic a book she didn’t find particularly inspiring. The art of the essay, and even thinking itself in a magnificent letter from February of 1919, found in The Letters of Robert Frost, Volume 1 (public library), the beloved poet gave his daughter sage counsel on her particular predicament, emanating general wisdom on writing.

Five years before he received the very first of his four Pulitzer Prizes, 45-year-old Frost writes:

I pity you, needing to write essays where no chance is had by the imagination, or next to no chance. Just one word of advice: stay away from strain or at the very least the appearance of strain. One good way to go to work is to read through your author a couple of times over having an eye out for anything that develops for your requirements while you read whether appreciative contradictory corroborative or parallel…

He speaks to your notion that writing, as with any creativity, is a case of selecting the few thrilling ideas from the lot of dull ones that occur to us — “To invent… is to choose,” as French polymath Henri Poincarй famously proclaimed. Frost counsels:

There should be more or less of a jumble in your thoughts or on the note paper following the very first time and even with the second. Much that you will think about in connection can come to nothing and be wasted. Many from it ought to go together under one idea. That idea could be the thing to write on and write into the title at the head of your paper… One idea and a few subordinate ideas — the trick is to have those occur to you while you read and catch them — not let them escape you… The sidelong glance is really what you depend on. You look at your author but you keep the tail of the eye about what is going on over and above your author in your own mind and nature.

Reflecting on his days as an English teacher at New Hampshire’s Pinkerton Academy, Frost points to precisely this over-and-above quality as the factor that set apart the handful of his students who mastered the essay from the the greater part of the who never essay writer did. (Although by the time of his tenure the Academy officially accepted young women, Frost’s passing remark that his class consisted of sixty boys reveals a great deal about women’s plight for education.) He writes:

Leave Comment

Your email address will not be published. Required fields are marked *

%d bloggers like this: